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the lotus project
My boyfriend met Sheryo at our neighbor's going away party this past summer, where I made a grandma move and went to bed early. They kicked it for a while on our building's rooftop with some folks, drinking beers and sitting stale in the mid-July humidity talking about her street art exploits. "You've got to meet this girl!" he kept telling me. "Her work is ridiculously dope."
Sheryo's work is like your childhood's dream cartoon show. Her characters are blocky, bold, and off kilter. They are playful, and mischievous, and totally saturated with bright colors, and strong lines--like the kind in a really good coloring book.
When I finally met her, it was at a North Brooklyn bar, where we ate salty tacos in the rain, and talked about each of our travel experiences in Asia. Sheryo, originally from Singapore is a pixie of a woman, and ferocious as hell. She met her Australian boyfriend while he was traveling in South East Asia. They connected over a shared interest in street art. When he was ready to move onto the next leg of his trip to Cambodia, he asked her on a whim to go with him. Of course she did. That's the kind of person Sheryo is. By the time of our meeting, they had been together for several months, and were living in Williamsburg on work visas.
Sheryo's art has become a traveling graffiti show, which is now a self sustaining lifestyle, sometimes supplemented by a handsome list of corporate clientele. As I write this, she's in Cambodia commissioned for the branding of a new hotel. Last I heard from her, she had managed to get herself chased down the street by a flock of angry cops for beautifying a wall, and broke her ankle on the get-away route. The self proclaimed "spirit painter" is confined by no limits, and evokes her childhood to draw up the most imaginary characters, and will stop at nothing to actualize her imagination. Here's a little glimpse into her head:
At what age did you start to become fascinated with drawing different types of characters?
The first thing I ever drew was a squiggly apple. I remember the moment my pencil hit the paper. It was bliss. The characters came shortly after. Characters were always sorta my thing...they were like toys but even better.
You mentioned before to me that your mom doesn't really get it, and she often asks you what is going on in your head. Along those lines, where do the characters come from, and how do they relate to one another?
My mom's really supportive but she says she doesn't know where I got my drawing skills or characters from because no one in my family's an artist, and I have eight aunties haha. I just tell her it was the sunday cartoons, '90s sci-fi movies and the horror books I read. I also had a nanny and her son taught me how to draw bubble letters. I remember watching certain movies so many times, Total Recall, Robocop, The Shining, Back to the Future, Kingpin, Honey I Shrunk the Kids, Beetlejuice, wrestling (WWF). I really do remember my childhood in vivid detail, but recent adventures escape me for some reason, I think these characters all came from my childhood.
Is there a certain world in your mind where they all exist and interact with one another?
Yeah, I party with them all the time.
You mentioned that Singapore is a very Westernized country. What were some of the positives and negatives of that growing up as it related to your art?
As you can tell by now, most of my art's influenced by American movies and culture. I don't think there is any positive or negative from it, but I do hope Singapore had a stronger culture I could tap from.
You're quite the globetrotter these days. When did you start traveling heavily, and how much of it was made possible through your art?
I started travelling a lot at the end of 2009. There was just so much to see, to do, to learn and to paint! I got addicted to painting walls in new places, meeting rad artists, getting lost--everything was so fresh and fun. Last year I went on a volunteer art teaching project at the Thai/Burma border with the Little Lotus Project. It opened up a lot of things for me. I was really glad to be able to be a part of this project. I think I took more than I gave from the children and families living there. I hope to go back soon and also do more community-based projects wherever I go.
How would you describe the experience of being a woman within graffiti/street art culture, where the majority is dominated by dudes?
It's not too big a deal. It's good. Just do what you do. Put good work out. Get the boys to help move your ladder around because it's too heavy...
If someone took your art supplies away forever, what would you do?
Go batshit crayyyyzeee.
Did having bigger access to the world--through travel--change any fundamental beliefs or ideas that you previously had?
Definitely. In general, you just grow a lot more by meeting people on your travels. Some good, some bad, they mold you and make you awesome. I think material possessions are overrated. Live simple. Have faith. Always give people the benefit of the doubt. Make your life count. Do things that make you happy. You know, all that stuff you get when you google self-help related topics. LOL.
What are things in everyday life that inspire you? You mentioned cartoons that you used to watch growing up and still now, but are there other things like food, music, anything else that helps color your imagination?
Real life people on the streeets are the best.
How many hours a day do you spend "working,"and do you even consider what you do work?
Nah, I just consider it drawing. I want to make good drawings everyday. I share a studio with the Yok (another dope artist) and we inspire each other a lot.
Any last words of wisdom, or insights you'd like to share about yourself?
To see more of Sheryo's whimsical characters, visit her Tumblr, Instagram, Facebook, and Twitterwhere all of the photos in this article were graciously borrowed from.
Words by Boyuan Gao